creative-ai

2 items

The Guardian 2026-04-22-1

Why are respected film-makers suddenly embracing AI?

Every creative-tool revolution of the last thirty years — digital cameras, Auto-Tune, CG, stock photography, streaming — lowered the floor faster than it raised the ceiling; value accrued to platforms harvesting the output glut and to a shrinking tier of masters whose scarcity compounded. Generative AI repeats the pattern, with a twist: auteur adoption now functions as a cultural permission structure, giving studios reputational cover to degrade the mid-tier before the tool is actually good. The investable question isn't who builds the best creative AI; it's who owns the craft-provenance layer that lets the top tier monetize its scarcity.

The Intrinsic Perspective 2026-03-08-1

Bits In, Bits Out

Hoel argues writing is the canary domain for AI capability — 6 years in, LLMs produced efficiency gains and slop, not a quality revolution. The Amazon book data is compelling (average worse, top 100 unchanged), but the extrapolation from writing to all domains is structurally weak: verifiable domains like code and math behave differently from taste-dependent ones. Best articulation of the "tools not intelligence" thesis, but cherry-picks the hardest domain for AI to show measurable ceiling gains.